AustenBlog...she's everywhere

1 December 2005

The book vs. the movie

Filed under: Pride and Prejudice (2005) — Mags @ 1:03 am

Time magazine has an article in the December 5 issue about recent film adaptations and the books upon which they are based, including PRIDE AND PREJUDICE.

PRIDE AND PREJUDICE — Winner: Book

CHALLENGES: Hello? It’s only, like, one of the most acclaimed pieces of literature ever (although director Joe Wright had never read it). Those who love it love it a lot. To others, it smells a bit like homework. Not to mention that this is the third adaptation, including one of those BBC behemoths.

HOW THE BOOK WAS BETTER: It’s hard to match wits with the woman who wrote, “It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.” The movie doesn’t try. It opens on a sunrise. The book is much funnier, the dialogue much cleverer, the social satire more nuanced. Oh, and some Austenites are spitting mad because the movie ends with a kiss.

HOW THE MOVIE IS BETTER: There’s a lot more of the grit of everyday life in 18th century rural Britain that was commonplace to Austen but is new to us. Animals wander through the house. There’s mud everywhere. Also, it ends with a kiss.

DEFINITIVE VERSION: The movie. Calm down: I’m kidding. The book, of course. But is there such a thing as too much Mr. Darcy?

Thanks to our Janeite Spy for the tip!

A conversation with Jane Austen

Filed under: Jane in the News — Mags @ 12:27 am

This was mildly amusing, we guess.

JD: So you’d rather they read the book, in other words?

JA: Mind you, I am no despiser of theatrical entertainments. But nonetheless - (a pause) Modesty forbids me from speaking further.

JD: OK, I get it, you wrote the book, you want people to read it, not some imitation of it, no matter how good. But you must prefer some adaptations to others - like the more faithful British version to the American version, with its over-the-top “Hollywood ending”?

JA: The colonies (as I persist in calling them to this day) seem to me a wild adventure; tho’ themselves full of much possibility, a reputation for excess is not unnatural to their character. But as I utter these words I reproach myself, as I find the pride and prejudice of my characters lurking deep within my breast as well: to leave the theater satisfied is no small thing, and the entertainments of the Americas satisfy as do no others.

(Colin Farrell? Is he kidding?)

 

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